Uncovered correspondence from the Dickens family discloses cryptic monikers, peculiar professions, and underlying mistrust among its members
In a fascinating discovery, the Charles Dickens Museum in London has acquired a collection of unpublished letters written to Charles Dickens's youngest son, affectionately known as 'Plornishmaroontigoonter'. These letters, penned by Charles Dickens himself and various correspondents, provide a captivating glimpse into the author's personal and professional life.
Spanning the period from 1868 to 1902, the collection covers a wide range of subjects. From critiques of renowned writers such as Wilkie Collins and Anthony Trollope to comments on the infamous Coggia's Comet and the Tichborne Trial, the letters offer an intimate perspective on the opinions and sentiments of Dickens's contemporaries. One letter, in particular, expresses a rather unfavourable view of the comet, stating, 'I don't think it is much for such a scoundrel.'
Edward Dickens, Charles's son, lived in Australia during the latter part of the 19th century, where he served as Rabbit Inspector for the Government of New South Wales. This unique role, while far removed from his father's literary world, adds another layer to the narrative of the Dickens family.
The collection also sheds new light on the character of Catherine Dickens, Charles's wife. The letters give voice to her clear love for her children, contradicting the image Charles Dickens tried to create when he separated from her. This revelation offers a more nuanced understanding of Catherine's role and emotions during this tumultuous period.
The letters also reveal a more personal side of Charles Dickens, including his nicknames such as Lucifer Box, Mild Glo'ster, Sampson Brass, The Ocean Spectre, and Chickenstalker.
The display of 40 letters, including a £200 cheque signed by Charles Dickens, is on display at the Charles Dickens Museum on Doughty Street until November 10. Annunciata Elwes, an award-winning journalist specialising in art, culture, and property, has curated this exhibition. Before her current role, Annunciata worked at The Sunday Times Travel Magazine and co-founded a literary, art, and music festival in Oxfordshire. She is also the director of contemporary art gallery TIN MAN ART and a former News & Property Editor at our platform.
In addition to the Dickens letters, the exhibition also includes the shipwreck of the Earl of Abergavenny, captained by John Wordsworth, the brother of the romantic poet William Wordsworth. The shipwreck, which took place in 1852, has now been given protected status. The Earl of Abergavenny, with its rich history, adds another layer of intrigue to the exhibition, offering visitors a glimpse into maritime history.
The letters also reveal much griping between the eight surviving siblings (of 10) in the letters, with comments such as 'He was always a queer fellow' and 'I think him worthless and heartless.' This insight into the family dynamics provides a more humanising perspective on the Dickens family.
One letter even mentions the arrival in London of the Shah of Persia and the writer's indifference towards him, except for his diamonds. This anecdote, while seemingly trivial, offers a glimpse into the social and political climate of the time.
This collection of unpublished letters offers a unique and intimate look into the lives of Charles Dickens and his contemporaries. The exhibition, curated by Annunciata Elwes, is a must-see for any Dickens enthusiast or history buff.
